Customer Reviews
Near comic masterpiece by Tati - By: Andres C. Salama, 22 Aug 2008 
If not Tati's best film (that honor would probably go to Mon Oncle), this 1953 effort is certainly his funniest, as Mr. Hulot's (Tati) presencein a French resort provokes one disaster after another. The movie is deliberately paced, with little dialogue & full of gentle humor. In fact, the film's innocence would be very hard to recreate today (the movie looks irresistibly nostalgic now, as it evokes a certain time & period that no longer exists). You might think that this is not a recipe for an uproariously funny comedy, but despite that, you just can't stop laughing at Tati's very elaborate set pieces. It's a huge improvement over Tati's previous film, the somewhat overrated Jour de Fete.
An aquired taste - By: S J Buck, 20 May 2008 
Having never seen a Tati filmin my 40 something years, I was probably expecting too much from this 1950's French comedy. It certainly has its merits. There are some lovely visual gags, which are very clever & funny as well, together with a set of characters who develop with the film.
I found that at 83mins it dragged a bit & whilst the jazzy music theme was great the first time I heard it, after the theme had been repeated about a dozen times it began to get on my nerves. Tati himself was undoubtably a talented visual comedian, & if he had been working 30 years earlier, before the introduction of sound would probably have been a bigger star. If I had seen this film when I was very young I'm sure that it would have made a lasting impression on me (like Laurel & Hardy) & I would have rated it much higher.
As it is, I probably need to see it again to fully appreciate it. Then it may get four stars.
A little gem! - By: Big John, 15 Feb 2008 Some say that for humour to be good, it has to be well observed & gentle. Modern comedy could learn a lot from this film. It is quite simply the best that Jacques Tati did. His other work was never as good as this. His walk used to make my parents roar with laughter & the scenes at the railway station are wonderful.So wonderful that my father could recall several similar scenesin real life! Hulot's car is of course is a starin its own right.In the same way as that of a circus clown. The English couple are played to perfection too,typical of the adventurous English couple who might have journeyed to Francein those days? Probably as most English people would have been scared of stayingin a low budget French Hotelin those days. The squeaky door is also wonderful. Of course the simple notion of holidaysin those days would be a different world for us today. We livein fast paced times & have much more complex lives. Perhaps then that is why this is still so good, transporting us back to a different age, & reminding us that holidays could be simple. What a joy this little gem is!
Thank goodness-it's the original! - By: The BlackFerret, 15 Jan 2008 The best thing-this is the original FRENCH print. Not a bad idea, because many Gallic nuances went out the window when the background radio prigrammes were dubbed into an Ersatz Third Programme & the archetypical can't-relax-for-a-moment businessman who's ALWAYS wanted on the phone becomes Herr Schmidt & not the transatlantic Mr Smith!
The full, original soundtrack is also here-or at least a serial number of varations of Alain Roman's theme are-that WAS the original soundtrack! Who cares-it's such a lovely tune,in total keeping with the entire ambience of the movie.
M. Hulot also almost manages to charm the lovely young French ladyin the movie. No mean feat, considering he's the living incarnation of how ex-President Gerald Ford was described 20+ years later-unable to chew gum & fart at the same time; using the phrase"accident-prone" about M.Hulot is the understatement of the last millenia & possibly of this one,too!
You also have the strange feeling that every one of the fellow holiday-makers, or the staff at L'Hotel Du Plage, will think back,in the coming winter, to their quinzieme en vacance avec M Hulot. And you also know, every one of them will be wishing, secretly or openly, that they'll soon both be hearing the sewing-machine-on-wheels & also seeing the hen-house-on-wheels as M. Hulot's 1924 Amilcar hoves into view next summer!
I won't bother detailing how the movie evolves. It's just unlike any other, even other Jacques Tati's. Let me just assure you it's not only the best film ever made, it's also still screamingly funny throughout & remains so after many,many viewings!
Classic film - By: Neil G. Roger, 08 Dec 2007 I remember seeing this film at the local cinema & I have never laughed so muchin my life--in fact the whole audience wasin hysterics for most of the film as if the slightest comic action by M Hulot sent everyone off againin uncontrollable shrieks of laughter --I have never laughed so much since!!! An all time classic
