Customer Reviews
Virtual Tourist - By: Sarah Powell, 15 Nov 2008 
This series is far more than a tourist trap - particularly as guide Francesco da Mosto would rather there were less visitors to his city (to buy less fake glass/carnival masks/plastic gondolas/jester hats)! Francesco is charming, witty & wonderfully insouciant as he presents an informative yet dramatic history of Venice, La Serenissima. He acknowledges its past arrogance & mistakes, whilst laughing at some of the more bizarre traditions (even he isn't sure about the election of the doges), but all the while maintains an awed respect for the stunning architecture & art, engineering & endurance of his home; Francesco is proud to be Venetian, & I only wish I could share the honour.
The first and best series by this brilliant presenter- essential viewing - By: Julie Cutler, 09 Nov 2008 
The lushest & most elegant of Francesco da Mosto's series to date (see also Francesco's Italy - Top To Toe & Francesco's Mediterranean Voyage) this is written & presented by someone who is passionate about his home town & his trading ancestry. It's a history, it's a guide to the architecture, it's a social commentary on modern lifein a tourist town. The historical reconstructions are nicely appropriate- generally silent appearances of Italiansin the appropriate costume. The direction is superb & there are achingly beautiful zoom shots of the city from on high- setting this unusual cityin its contextin the Venetian Lagoon. It provides you with a guide to well known & not so well known areas of the city. There are 4 hour long programmes featured on 2 DVDS with English subtitles, but no extras.
Episode 1, Blood, tells of the founding of the initial settlement by people fleeing the incursions of Atilla the Hun. The intricate pattern of islands & underwater sandbanks protected them from invading fleets. The Basilica of Torcello contains magnificent early frescosin the Byzantine style. More settlements were made on the main island by sinking wooden piles into the marsh to act as foundations. We visit the Doge's palace (the elected ruler of the Venetian Republic) & the Palazzo Cadamosto- Francesco's family's original home, now fallen into ruin. As Venice grewin wealth & power as a trading city a sly bit of saint rustling brought St Mark's remains to the city, which adopted his emblem of the winged lion as its own. In 1202, under Doge Enrico Dandolo, a crusade was deflected to attack the Christian city of Venice's trading rival, Constantinople, resultingin the expansion of Venice's empire.
Episode 2, Beauty, explains how the city grewin wealth after the plundering of Constantinople (including the famous Classical bronze horses & some very pleasing stone carvings). Further trade routes opened up after the return of Marco Polo from China (although no one quite believed him to start with). Venice's architectural style developed as a unique fusion between Gothic & the eastern arch. Although the Ottomans seized Constantinoplein 1453, Venice courted the new rulers & became viewed as dangerously unchristian by the Papacy. We visit the Fondaco dei Turchi (a lodging & warehouse for foreign traders), the Scalo de Bovalo (a fantastic spiral staircase at the back of one of the merchant's palaces) & the Ca' d'Oro (a palace which was once coatedin gold leaf). In order to protect the city's power a vast boatyard was built- the Arsenale. The influence of the new classical architectural style was initially limited to the land gate for the Arsenale. However following the great fire of 1514 it was necessary to undertake a rebuilding programme. Initially the more conservative style of the architect Sansovino was favoured (Library of St Mark). However when part of the library collapsed, Sansovino lost out to the more radical Palladio, who was responsible for the church of San Francesco della Vigna (exterior) & the monastery & church of San Georgio Maggiore. Around this time Jewish people were relocated to a foundry area (the Ghetto). Sadly the flowering of wealth, & the daring of Venice's artists such as Titian & Veronese, was brought to a halt by the plague of 1575, which killed half the population. We see the old plague hospital of Lazzareto Vecchio & the Island of Santalliano, where rich plague victims were buried.
Episode 3, Sex, explains how Venice metamorphosed into the pleasure capital of Europe, despite further plagues & the rise of Venereal disease.Indulgencein gambling & the rise of ladies of negotiable affection was rife, especially at the time of Carnivale. Baroque architecture started to take hold with the construction of Santa Maria della Salute (after another wave of plague). We see the famous Florian's cafe, which originally had an upstairs Bordello. Art became a commodity for the rich indulgent visitors. Canaletto sold his postcard like paintings, & Vivaldi churned out mass tunes so he could sell the dedications to rich patrons. Casanova got about a bit! However although the authorities might have turned a blind eye to tourists, they started to clamp down on the indulgences of their own citizens. We glimpse the Bridge of Sighs, the Ridotto (the gambling house)and the area of San Barnaba (where self-impoverished Venetian nobles ended up). The hospital for rotting syphilis suffers, the Incurabile, was built & the sculptor, Canova, started a linein idealised funeral monuments. Napoleon Bonaparte despised the self indulgent city & invaded & sacked the city after the unwise Venetian commander of the fort of Sant' Andrea sank some French ships. We see the painting of the vision of hell whichthe French army failed to carry away from the church of Madonna de Lorto. The Doge was deposed & the Republic ended & given away to Austria.
Episode 4, Death, explains what happened up to the present day. The poverty & decay of the city was somewhat rallied by another wave of tourists, generally British. Romanticised by Byron, Turner, Ruskin & Dickens, tourists flocked to Venice, & eventually the uniqueness of its isolation was lost when a rail link was builtin 1846. Although the British argued about restoration versus modernisation it seems they were more interestedin the structure of the place, rather than the day to day lives of its inhabitants. Some iron bridges were introduced by Neville, but his largest structure, the Academia Bridge across the Grand Canal was dismantled & replaced by a "temporary" wooden structure which is still there. The Campanile of St Marks collapsedin 1902 (in the way of many Italian bell towers) & was reconstructed, despite protests from modernists. Mussolini toyed with paving the canals & built a new road bridge. Unwise industrial development of the Italian coast at Marghera & deep canal dredging, caused the great flood of 1966. Money floodedin to preserve the buildings. However Venice is once again a tourist town- only 10% of its inhabitants are Venetians - young people are leaving for the mainland.
A visit to Venice? - By: L. Hunt, 03 Nov 2008 
One the surface, Venice is supremely beautiful & romantic city- the gondolas, the masked balls and, of course, the canals at sunset. But Venice is really a city created out of adversity, hard trading with the East & naval battles. Thankfully, the balancein this DVD is beautifully trod by our native guide, Count Franceso da Mosta. As you have probably guessed by now, he leaves the tourist trail behind to give an insiders view of the city. From Casanova to Napoleon; the Jewish Getto to the stealing of St Mark's body from Alexandria; the story is enticing & enthralling. And, of course, it makes you want to visit (or return to) Venice.
Whether you just want to enjoy the touristy bits of the city, or find out more about the history, this DVD is perfect capturing of Venice on film.
Fantastic Francesco - By: Michael Blamires, 05 Sep 2008 
Francescos Venice
This dvd is absolutely fantastic,I have been to Venice on several occasions & love the place,this dvd is very accurate & explains history of Venice very well,anyone wanting to go to Venice would be better purchasing this dvd as it will give information what Venice is all about.
The spirit of Venice is woven into Francesco's soul! - By: dolcevita, 08 Aug 2008 
The best reviews are always those whose author is well versedin the subject ~ seemingly an obvious point but something that is all too often ignored ~ & if the reviewer also loves his or her subject matter with a passion, so much the better.
It would be hard to find a more poetic, seductive reviewer than this super sexy man, who is clearly first a Venetian & second an Italian! Francesco draws the viewerin like an angler teasing a fish until you are well & truly hooked!
I had visited Venice briefly, many years ago but at the wrong time of year ~ high summer (definitely not recommended) without undertaking any pre-visit research (definitely another big mistake ~ it is preferable to research any country but essentialin order to really 'get' Venice) & for far too short a time to really form an intelligent opinion on this unique city.
This year, I had the opportunity to return with a group of girlfriends to watch our daughters' choir perform over 4 days. Apart from the concerts/massesin which they were performing, our time was our own. Despite it being mid-May, the weather was atrocious ~ horizontal rain on one day, with only one hot sunny day which, fortunately, was the day we visited the Island of Murano.
Despite all this, having watched Francesco's Venice, I felt, so prepared, so well versedin the city's foundations, history & character, that the weather became (almost!) unimportant.
I would not hesitate to recommend, no insist, as I did with my accompanying girlfriends, that this DVD is a pre-requisite for any visitor to this amazing city. It would certainly be no penance for any woman to watch Francesco da Mosto for 4 hours but I would defy anyone, male or female, young or old, not to be drawnin by his amazing story-telling ability.
Here is Venice during its times of triumph & disaster, health & sickness, all enthralling & captivating to the viewer with Francesco as an attentive & informative guide. Because of his transparent love for his home city, the viewer too, gets drawn into this love affair that is still ongoing.
The mixture of fact & inserts of historical drama, add to the intrigue and,in the best way possible, we begin to understand Francesco's great love of his place of birth.
Only one word of warning, it is rated a 15 for a reason! Pre-vet before showing to any young children as it is pretty sexually explicitin parts!
Enjoy!
Dx